Walnut bark is characterized by the contrast between the colors of its outer and inner sides.
There are two variations: one where the outer bark appears on the upper surface of the tray, and another where the inner bark is used on the upper surface.
As a natural material, each piece also shows slight differences in tone and texture.
The maker is Kaoru Saito, who has been working with vine and bark crafts in Yamagata for many years. This tray reflects her practice of gathering walnut bark herself and creating weaving patterns not found elsewhere.
This is a type where the outer bark appears on the upper surface of the tray. The outer bark has a lighter, soft brown tone. A wire is inserted into the core, giving the tray a sturdy finish.When the outer bark appears on the upper surface, the underside shows the inner bark.This is a type where the inner bark appears on the upper surface of the tray. The inner bark has a deeper, dark brown tone.When the inner bark appears on the upper surface, the underside shows the outer bark.
For example, it can be used as a fruit tray. The simple, natural texture of walnut pairs beautifully with fruit.
Like basket bags, it will gradually develop a gentle sheen through use as it comes into contact with the natural oils of the hands.
While the overall feel is modest, the lively weaving pattern brings a quiet sense of enjoyment. Some pieces are slightly deeper, while others are closer to a flatter form.
Several pieces are available for this exhibition. For online orders, we will select one from our available stock to send to you.
It works well not only as a tray for fruit or sweets, but can also be enjoyed in various ways according to your preference.
Forms that captivate, born from the rich materials of Yamagata
Using a variety of mountain materials—Grapevine, walnut, Akebi, and Matatabi— Kaoru Saito creates a succession of unique forms rarely seen elsewhere, as well as refined basketry that quietly draws the eye.
For many years, she has gone into the mountains herself to gather materials, carrying out every step of the process from the very beginning.
In fact, Kaoru is also a highly skilled maker capable of producing finely woven Grapevine tote baskets of exceptional quality. The accessories and ornaments she creates from multiple materials all carry a sense of considered beauty, while also reflecting playfulness and thoughtful attention to the user.
She has a deep understanding of each material, and is also a user herself, incorporating baskets, accessories, and small objects into her daily life.
Listening closely to the voices of those who use her work, she continues to explore how pieces can be made more comfortable, beautiful, and enjoyable to use.
This is a tray woven from walnut bark.
Walnut bark is characterized by the contrast between the colors of its outer and inner sides.
There are two variations: one where the outer bark appears on the upper surface of the tray, and another where the inner bark is used on the upper surface.
As a natural material, each piece also shows slight differences in tone and texture.
The maker is Kaoru Saito, who has been working with vine and bark crafts in Yamagata for many years. This tray reflects her practice of gathering walnut bark herself and creating weaving patterns not found elsewhere.
This is a type where the outer bark appears on the upper surface of the tray. The outer bark has a lighter, soft brown tone. A wire is inserted into the core, giving the tray a sturdy finish.When the outer bark appears on the upper surface, the underside shows the inner bark.This is a type where the inner bark appears on the upper surface of the tray. The inner bark has a deeper, dark brown tone.When the inner bark appears on the upper surface, the underside shows the outer bark.
For example, it can be used as a fruit tray. The simple, natural texture of walnut pairs beautifully with fruit.
Like basket bags, it will gradually develop a gentle sheen through use as it comes into contact with the natural oils of the hands.
While the overall feel is modest, the lively weaving pattern brings a quiet sense of enjoyment. Some pieces are slightly deeper, while others are closer to a flatter form.
Several pieces are available for this exhibition. For online orders, we will select one from our available stock to send to you.
It works well not only as a tray for fruit or sweets, but can also be enjoyed in various ways according to your preference.
Forms that captivate, born from the rich materials of Yamagata
Using a variety of mountain materials—Grapevine, walnut, Akebi, and Matatabi— Kaoru Saito creates a succession of unique forms rarely seen elsewhere, as well as refined basketry that quietly draws the eye.
For many years, she has gone into the mountains herself to gather materials, carrying out every step of the process from the very beginning.
In fact, Kaoru is also a highly skilled maker capable of producing finely woven Grapevine tote baskets of exceptional quality. The accessories and ornaments she creates from multiple materials all carry a sense of considered beauty, while also reflecting playfulness and thoughtful attention to the user.
She has a deep understanding of each material, and is also a user herself, incorporating baskets, accessories, and small objects into her daily life.
Listening closely to the voices of those who use her work, she continues to explore how pieces can be made more comfortable, beautiful, and enjoyable to use.
This is a tray woven from walnut bark.
Walnut bark is characterized by the contrast between the colors of its outer and inner sides.
There are two variations: one where the outer bark appears on the upper surface of the tray, and another where the inner bark is used on the upper surface.
As a natural material, each piece also shows slight differences in tone and texture.
The maker is Kaoru Saito, who has been working with vine and bark crafts in Yamagata for many years. This tray reflects her practice of gathering walnut bark herself and creating weaving patterns not found elsewhere.
This is a type where the outer bark appears on the upper surface of the tray. The outer bark has a lighter, soft brown tone. A wire is inserted into the core, giving the tray a sturdy finish.When the outer bark appears on the upper surface, the underside shows the inner bark.This is a type where the inner bark appears on the upper surface of the tray. The inner bark has a deeper, dark brown tone.When the inner bark appears on the upper surface, the underside shows the outer bark.
For example, it can be used as a fruit tray. The simple, natural texture of walnut pairs beautifully with fruit.
Like basket bags, it will gradually develop a gentle sheen through use as it comes into contact with the natural oils of the hands.
While the overall feel is modest, the lively weaving pattern brings a quiet sense of enjoyment. Some pieces are slightly deeper, while others are closer to a flatter form.
Several pieces are available for this exhibition. For online orders, we will select one from our available stock to send to you.
It works well not only as a tray for fruit or sweets, but can also be enjoyed in various ways according to your preference.
Forms that captivate, born from the rich materials of Yamagata
Using a variety of mountain materials—Grapevine, walnut, Akebi, and Matatabi— Kaoru Saito creates a succession of unique forms rarely seen elsewhere, as well as refined basketry that quietly draws the eye.
For many years, she has gone into the mountains herself to gather materials, carrying out every step of the process from the very beginning.
In fact, Kaoru is also a highly skilled maker capable of producing finely woven Grapevine tote baskets of exceptional quality. The accessories and ornaments she creates from multiple materials all carry a sense of considered beauty, while also reflecting playfulness and thoughtful attention to the user.
She has a deep understanding of each material, and is also a user herself, incorporating baskets, accessories, and small objects into her daily life.
Listening closely to the voices of those who use her work, she continues to explore how pieces can be made more comfortable, beautiful, and enjoyable to use.
